The family confirmed his death in an official statement, announcing that the last rites would take place on Thursday. The statement said, “With profound grief, we inform you of the passing of our beloved Pahlaj Nihalani on 4th June 2026. The cremation ceremony will be held today, 04.06.2026 at 3 pm at Santacruz Hindu Crematorium. We are grateful for your thoughts and prayers as we bid a final farewell.”
Nihalani had a long and influential association with the Indian entertainment industry. He served as President of the Association of Pictures and Television Programme Producers for 29 years before resigning from the position in 2009. He was appointed Chairperson of the Central Board of Film Certification on 19 January 2015 and remained in office until 2017, after which he was succeeded by Prasoon Joshi.
During his prolific film career, Nihalani produced several notable films. His debut as a producer came with Haathkadi in 1982, followed by Aandhi-Toofan in 1985 and Ilzaam in 1986, which marked the debut of actor Govinda. He later produced Aag Hi Aag in 1987, which introduced actor Chunky Pandey. His other productions included Gunahon Ka Faisla, Paap Ki Duniya, Mitti Aur Sona, Shola Aur Shabnam, and Aankhen, among others.
Nihalani also made his directorial debut with Avatar in 2012, starring Govinda.
During his tenure at the Central Board of Film Certification, he introduced strict certification guidelines. These included restrictions on the use of abusive language even in films rated for adults, discouragement of depictions of violence against women, and a firm stance against content considered offensive to religious sentiments.
His tenure was marked by significant controversy. He faced criticism after the film Spectre had its kissing scenes shortened for Indian release, a decision he defended as being within regulatory guidelines. Another major dispute arose in 2016 over Udta Punjab, where the Central Board of Film Certification had recommended 89 cuts; however, the film was ultimately cleared for release with only one cut after a legal challenge, in a ruling seen as a landmark for freedom of expression.
He also issued a legal notice against the International Indian Film Academy Awards and Wizcraft Entertainment for defamation, following allegedly inappropriate remarks made about him during a comedic performance.
Pahlaj Nihalani’s passing marks the end of a significant and often debated chapter in Indian film certification and production history, defined by both his extensive contributions to cinema and his controversial regulatory approach.
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