Headline: Urvashi Rautela Defends Nandamuri Balakrishna Amid Online Backlash Over Daaku Maharaaj Controversy
Urvashi Rautela has defended Nandamuri Balakrishna amid the ongoing Daaku Maharaaj controversy, describing her experience with the actor as positive and memorable. Speaking in a recent interview, she addressed backlash over the song Dabidi Dibidi, viral fan interaction videos, and Balakrishna’s off-screen personality.
Speaking during a recent interview with Radio Nasha, Rautela said the controversy developed gradually as conversations on social media intensified over time. She stated that what initially appeared to be isolated incidents eventually evolved into a larger online debate.
Despite the backlash connected to the film, particularly over the song Dabidi Dibidi, Rautela described her experience working with Balakrishna as positive. She praised the collaboration and highlighted the enthusiasm and energy displayed during the filming of action sequences.
Rautela also addressed viral videos featuring Balakrishna’s interactions with fans, clips that have repeatedly triggered discussion on social media platforms. According to the actor, she personally witnessed such interactions and did not interpret them negatively. She added that fans often reacted positively during those moments rather than expressing discomfort or offence.
Sharing a personal anecdote from the past year, Rautela revealed that Balakrishna was the first person to wish her on Valentine’s Day, a gesture she described as memorable.
Discussing his personality further, she referred to Balakrishna as energetic, approachable, and childlike in nature. Rautela said that although he carries a strong public image, he remains grounded, enjoys interacting with people, and shows particular affection toward children.
Her remarks provide a more personal account of Balakrishna amid continuing online criticism and debates, while also underlining his enduring stature in Telugu cinema and the off-screen image described by colleagues who have worked closely with him.

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