The vocal ensemble comprising Sukhdev Manghiyar, Loona Khan, Manzoor Khan, and Salim Khan delivered a richly layered interpretative performance defined by powerful open-throated singing, intricate melodic embellishments, and seamless vocal coordination. Their presentation stood out for its tonal authenticity and their intuitive responsiveness to rhythmic transitions, maintaining the integrity of folk expression while demonstrating refined musical control.
The instrumental ensemble featured Latif Khan on wooden percussion clappers, Bhugar Khan on a traditional bowed string instrument, Devu Khan on hand drum, and Roshal Khan performing on jaw harp, folk percussion frame instrument, and additional clappers. The rhythmic foundation was established with remarkable precision from the very first beat, creating an earthy, resonant, and dynamically evolving sonic atmosphere. Latif Khan, Devu Khan, and Roshal Khan demonstrated exceptional command over tempo modulation and micro-rhythmic phrasing, providing both structure and fluidity to the performance.
A defining musical dimension of the evening was shaped by Bhugar Khan’s bowed string instrument, which produced a hauntingly expressive tonal quality closely resembling the human voice. His melodic phrasing reflected deep understanding of Rajasthani modal traditions while subtly incorporating ornamentation reminiscent of classical North Indian vocal styles, without departing from its folk essence.
The repertoire was carefully curated to balance lyrical depth and rhythmic vibrancy. Performances of Ghodliyo and Kesariya Balam unfolded with meditative grace and emotional restraint, while Jhirmir Barse Mev introduced a spirited rhythmic intensity that highlighted the ensemble’s versatility and technical agility. The devotional segment, featuring Allah Hoo, Ae Khatme Rasool, Akhiyan Udeek Diyan, Tu Maane Ya Na Maane, and Nit Khair Manga, infused the evening with spiritual intensity and emotional longing, seamlessly blending Sufi devotional traditions with Punjabi folk-infused expressions.
A standout moment of the evening was the rhythmic dialogue between jaw harp and hand drum, performed by Roshal Khan and Devu Khan. The interaction created a sophisticated polyrhythmic structure that captivated the audience, drawing spontaneous applause for its improvisational brilliance, precision timing, and creative depth.
World-renowned composer and music director Uttam Singh remarked that the performance represented “pure emotion carrying the fragrance of soil,” adding that the Naushad Academy of Hindustani Sangeet continues to play a vital role in preserving and promoting India’s musical heritage through meaningful cultural initiatives.
Film director Rehman Naushad stated that the vision of the academy is to create immersive cultural experiences that reconnect audiences with the roots of Indian music, emphasizing that folk traditions transcend boundaries and resonate universally.
Music composer and producer Gurmeet Singh highlighted the purity and storytelling power of folk music, noting that the performance successfully captured its energy, rhythm, and emotional depth while inspiring urban audiences to embrace traditional soundscapes.
The event was conducted under the guidance of the academy’s permanent trustees, including Rehman Naushad as President, Uttam Singh as Secretary, Gurmeet Singh as Treasurer, along with trustees Shehnaaz Parveen Mutiur Rehman, Jasvinder Kaur, and Umaraah Mutiur Rehman. The academy also acknowledged the contributions of event organiser Parmeet Kaur, video direction by Nabh Kumar Raju, technical support by Manoj Joshi along with assistants Anmol Pariyar and Mahesh Gurjar, media consultancy by David Allan Vaz, culinary arrangements by Hardeep Punjab, and the dedicated efforts of NKR Film School students and the entire production team.
The evening ultimately stood as a powerful testament to India’s enduring folk traditions, reaffirming their ability to transcend geography and time while resonating deeply within contemporary urban cultural spaces.
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