Cine Samvad in Patna Discusses ‘Obscenity in Songs: Solutions’

The Bihar State Film Development and Finance Corporation (Film Nigam) organized a thought-provoking Cine Samvad program at the Bihar Lalit Kala Academy, Fraser Road, on the topic “Obscenity in Songs: Solutions.” The event brought together noted artists, cultural figures, and officials to deliberate on the growing issue of vulgarity in Bhojpuri music and the way forward.

Renowned Bhojpuri folk singer Bharat Sharma Vyas, internationally acclaimed for his soulful singing, strongly criticized the rising vulgarity in Bhojpuri songs. He said, “Thirty years ago, Bhojpuri songs were free from obscenity. Today, the situation has deteriorated to the extent that people look down upon the language because of vulgar songs. Not only singers, but also those who provide platforms and audiences who encourage such content are equally responsible.”

Vyas added that strict action must be taken against singers who promote obscenity, while listeners too must consciously reject such songs. Recalling the era of the 1990s, he noted, “Even then, vulgar songs entered the market, but they disappeared within two or three years. Today, those singers are only remembered for their obscene songs.”

Social activist Nand Kumar Tiwari, a vocal critic of double-meaning songs, suggested that both singers and lyricists should take an oath not to write or perform vulgar songs.

Speaking at the event, Mrs. Ruby (IAS), General Manager of the Film Nigam, emphasized Bihar’s rich heritage of classical music and folk traditions, urging artists to strengthen and promote them. Dr. Ajay, District PRO, highlighted that good music always finds its audience, stage, and financial success.

Mr. Arvind Ranjan Das, Film Consultant of the Corporation, called obscenity in songs a “stain” on Bihar’s cultural identity. He said, “To restore the dignity of Bihar’s entertainment industry, strong steps must be taken. Through this Cine Samvad, the corporation is trying to find practical solutions so that Bihar regains its lost prestige in music and cinema.”